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      <image:title>A Blog of Sorts - Those Seconds Belong to You, and They Are Trying to Take Them - I have walked past, rolled my eyes at, or simply not given a shit about the majority of the visual art I’ve ever seen. Not ashamed of this. I appreciate beauty, I am an artist myself, I simply don’t have the knowledge or the eye to really get painting and sculpture so hard that I, like, go to museums for fun. I don’t know the history of art or artists, or the political context of it, or what good composition is. All I know is that I am physically incapable of walking past a Jackson Pollock painting without stopping. Certainly not in a museum, even if I’m speedrunning that museum to make sure I don’t miss the happy hour at the nearby bar, because I’m probably visiting a foreign city if I am in a museum and I did not come to this place for the art. I can’t not take a long look in any context. I wouldn’t skip a moment with a Pollock poster in a souvenir store, or on a television screen showing the movie Ex Machina.</image:title>
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      <image:title>A Blog of Sorts - The Time I Put on a Musical Play - THE MILFORD PROJECT, for which I wrote the book and directed the production, and for which my dear friend Nick Martin wrote the music, with the two of us collaborating on the lyrics, is the story of the creation of the first atomic bomb. Not the one they told you about in history class, but the one built by a 13-year-old genius for a school science fair in small-town Iowa in 1937. The young scientist is beset on all sides by an overbearing father, a murderous government agent, the sudden onset of puberty, and some Nazi spies. But he sings his way through and saves the day in a truly American way, by detonating a big-ass bomb.</image:title>
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      <image:title>A Blog of Sorts - The Time I Put on a Musical Play - The experience of producing the play can be summed up by the concept of the bliss of ignorance. Nick and I had no idea what we were doing, right or wrong. But that al so meant we played by no one’s rules but our own. It’s hard to express how different that experience was from writing movies and TV shows, where a script, despite being the product of months or years of work, is really only a sales document for a bigger project, intended to get actors and finance to help you out. It’s not the product, it’s a job application.</image:title>
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      <image:title>A Blog of Sorts - The Time I Put on a Musical Play - But with a play as scrappy and low-fi as Milford, and a venue booked for the Fringe, well, we knew we were putting that sucker onstage. Nick and I were always to serve as the producers, financiers, and every other major position on the show including my regrettable run as propmaster. This meant we had no help, yes, but it also meant we answered to no one. I don’t recall taking any creative feedback that didn’t make the show funnier, which is very different from writing scripts and making movies, which I almost always run through a gauntlet of trusted advisors simply to make them better sales documents. No matter what, the quality of the show we put up was always going to be on our heads alone. To date, I think it was one of the best things I’ve ever done. The comedy style is exactly what I would do if I didn’t have to please studio executives and star actors. The timing and tone of the performances is exactly how I wanted them, in collaboration with our brave cast of course, and the overall product is just so fucking funny from start to finish.</image:title>
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